In print I work mainly with etching and silkscreen with occasional wood/lino cut pieces.

My prints are the end result of much thought and few actual drawings, my sketchbook is somewhere inside my head and sometimes not even I can locate it.

Each work needs a hook that can make me believe that the idea is a worthwhile one and that can be difficult. In the past I have used the British ancestral, archeological landscape; the state of Tibet under Chinese dictatorship and ideas devised from Samuel Palmer to help me achieve an outcome.

At the moment I am seeking a new starting point.
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In print I work mainly with etching and silkscreen with occasional wood/lino cut pieces.

My prints are the end result of much thought and few actual drawings, my sketchbook is somewhere inside my head and sometimes not even I can locate it.

Each work needs a hook that can make me believe that the idea is a worthwhile one and that can be difficult. In the past I have used the British ancestral, archeological landscape; the state of Tibet under Chinese dictatorship and ideas devised from Samuel Palmer to help me achieve an outcome.

At the moment I am seeking a new starting point.
Ref:
Date:
Location:
Photographer: